Share This Article
This is Harris Reed’s fourth season at the helm of Nina Ricci , in which he has moved away from his “bigger is better” agenda and focused on sculptural silhouettes and accessories that add a noticeable punch to the look. Reed has retained his love of statement suits, but has allowed them to breathe and soften: the super-dramatic shoulders are now just that, punchy, and the silhouette has a softer emphasis on the waist.
Nina Ricci Spring 2025
Reed always builds his collections around the brand’s three symbols: black and white, bows and polka dots: “I liked the idea of not deviating from where I started. When it came to creating this collection, I started to understand who this Nina Ricci woman is and where she’s going. As someone who lives between Paris and London and travels constantly, I realized it’s all about intention.”
Nina Ricci Spring 2025
For his fourth season, Reed looked back to the mid-’60s archives to create stylish belted trench coats and safari jackets with micro shorts.
Nina Ricci Spring 2025
And yet, the mid-’60s was a time when formality was about to give way to the relaxed fluidity of the late ’60s, then the ’70s, and beyond. So the catwalk featured draping to give things a fluid feel, and an abundance of thin fabrics that swayed gently as you moved.
Nina Ricci Spring 2025
Staying true to himself, but not forgetting the codes of the brand, Reed brought leather bodysuits with fur, trousers accompanied by corsets, huge hats and large jewelry to the catwalk. Several looks literally repeated the shape of the bottle of the new Vénus fragrance in the form of a fan.
Nina Ricci Spring 2025
What are your thoughts? Do you follow on social media? Please don’t forget to leave your like and subscribe if you are not with us yet.