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The story that creative director Maximillian Davies focused on for the spring/summer 2025 collection was dance. The designer’s mood board featured a 1950 photo of Salvatore Ferragamo trying on shoes for the American dancer and choreographer Katherine Dunham. Next to it were shots of Rudolf Nureyev, who apparently danced in Ferragamo shoes, and several ballet photos of the Dutch dancer Hans van Manen. The final touch was a nod to the paintings of the Italian conceptual artist Piero Manzoni: Davies said he was drawn to the tactility and texture of Manzoni’s surfaces.
So the curtain opens: loose belted trench coats and sports jackets and slit skirts, made from crinkled fabric, create a crispy crust-like feel as seen on Manzoni canvases , while shoes with satin ribbons create a ballet costume-like atmosphere.
Ferragamo Spring 2025
The dance uniforms—leggings, bodysuits, loose tunics, wrap-around cardigans, and ribbon-adorned pumps—immerse the audience in the atmosphere of a ballet class and the anticipation of magic.
Ferragamo Spring 2025
A series of billowing dresses and parachute trench coats followed. Styled with the same satin-ribboned shoes, they created a sense of dance in motion.
Ferragamo Spring 2025
The ubiquitous shaggy feather fringe crept onto the necklines of dresses, bags, shorts and skirts made of washed denim; the same fringe, only long and elastic, continued the hem of an elegant dress; and an asymmetrical neckline, emphasizing the shape of the body, adorned coats and sheath dresses.
Ferragamo Spring 2025
Leather, the brand’s strong point, appeared in figuratively perforated pieces, and in addition to dusty, earthy tones, ballet pink, Yves Klein blue and bright scarlet were spotted.
Ferragamo Spring 2025
Collection details.
Ferragamo Spring 2025
Backstage.
Backstage Ferragamo Spring 2025
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